Posts Tagged ‘Material Culture’

Cutting, Slicing, Pasting: Royal Female Friendship and Domestic Craft

by Dr Madeleine Pelling (University of York)   For elite and middling women in the eighteenth century, handicrafts including embroidery, decoupage, wood-cutting, turning and spinning were important activities in performing female sociability and manifesting rustic and picturesque ideals. The Georgian Papers Programme has recently digitized a key, though overlooked, album of cut-paper designs created by… Read More »

Fit for a King: Furnishing Hampton Court Palace for George II and His Family

By Marie Pellissier, Omohundro Institute Apprentice, William & Mary Welcome back to our Georgian Goodies blog series, where we highlight interesting, timely, or just plain nifty documents from the Georgian Papers Programme! On June 24, 1737, King George II signed a warrant authorizing the purchase of furniture for the royal apartments at Hampton Court Palace.… Read More »

The 18th Century Materializes on Stage

By Karin Wulf and Arthur Burns There is so much eighteenth century on view in the much acclaimed Nottingham Playhouse staging of Alan Bennett’s The Madness of  George III.  The Georgian Papers Programme had a wonderful opportunity to host lead actor Mark Gatiss at Windsor Castle to view some of the archival materials selected to… Read More »

Introducing the Georgian Goodies Series

George III, by Allan Ramsay, 1762. In this portrait, George III wears a wig with a silk bag over the ponytail.

Marie Pellissier is a Digital Projects Apprentice at the Omohundro Institute. She is a first-year PhD student at William & Mary, and works on Early American women’s intellectual history. This is the first in a series of blog posts called Georgian Goodies, where we highlight interesting, timely, or just plain nifty documents from the Georgian… Read More »